Those of you who follow American literary culture carefully may recently have heard that a documentary about Joan Didion’s life and writings is slated to be released in Fall 2015. The documentary, We Tell Ourselves Stories in Order to Live, is being produced by Susanne Rostock and noted actor/director Griffin Dunne (Dunne is the nephew of John Gregory Dunne, who was both Didion’s husband and screen writing partner for more than 30 years, and about whose death she wrote so eloquently in The Year of Magical Thinking).
As part of the Kickstarter campaign to raise enough money to complete the film, Didion supporters, including yours truly, received a hand-written list of Didion’s favorite books as a thank you. Didion’s essays and political writings are heavily influenced by many of her contemporaries of the 60s and 70s, particularly other New Journalists such as Norman Mailer, Truman Capote and Tom Wolfe. When it came to fiction, though, she largely draws on authors writing one or two generations before her, including Ernest Hemingway, John O’Hara, James Baldwin and Ford Madox Ford. Didion is particularly noted for first mastering, then outshining, Hemingway when it comes to his “iceberg” theory of writing, which posits that what is deliberately left off the page resonates more deeply than what does appear (i.e., how the author’s use of specific words, syntax, repetition, rhythm and cadence enables readers to implicitly understand what lies beneath the surface of the text itself, or what we today call “the emotional subtext”).
Here then are the favorite books and authors that Didion turns to time and time again:
- A Farewell to Arms (1929) by Ernest Hemingway
- Victory (1914) by Joseph Conrad
- Guerrillas (1975) by VS Naipaul
- Down and Out in Paris and London (1933) by George Orwell
- Wonderland (1971) by Joyce Carol Oates
- Wuthering Heights (1847) by Emily Bronte
- The Good Soldier (1915) by Ford Madox Ford
- One Hundred Years of Solitude (1967) by Gabriel Garcia Marquez
- Crime & Punishment (1866) by Fyodor Dostoyevsky
- Appointment in Samarra (1934) by John O’Hara
- The Executioner’s Song (1979) by Norman Mailer
- Washington Square, Portrait of a Lady, The Bostonians, Wings of the Dove, The Ambassadors, The Golden Bowl, Daisy Miller, The Aspern Papers, The Turn of the Screw all by Henry James (1843-1916)
- Speedboat (1976) by Renata Adler
- Go Tell It on the Mountain (1953) and Notes of a Native Son (1955) by James Baldwin
- The Berlin Stories (1945) by Christopher Isherwood
- Poetry of Robert Lowell, W.H. Auden and Wallace Stevens
Just as she was influenced by these writers and others, so too has Didion influenced writers of my generation. Indeed, I read my first Didion novel, The Book of Common Prayer, the summer I graduated from Mount Holyoke–and then went on to devour everything she has ever published. If any of my own fiction or essays resonate at all with readers, it is thanks to her.
If you haven’t yet had occasion to read her work or only know her more recent books (she is well into her eighties now and rather frail), the best place to start would be with her brilliant series of essays, Slouching Into Bethelehem, or the novel Democracy, both of which are readily available from your local library or independent bookstore.
Happy Valentine’s Day!
Founder & Managing Editor
The Lyon Review