Book Club Survey Question

We know Mt Holyoke alumnae are readers. This is a given. How many of you are in a book club? Or, perhaps the better question is, how many of you are in more than one book club – formal or informal?

The Strand

I am a poor member of three different book clubs. In these clubs, no one buys hardcover books. In fact, in all three clubs, new books are studiously avoided until the paperback versions come out. In recent years, there are many more e-readers coming to meetings and in all three groups, I’d say about 25% of members are getting their copies from the library. How does that compare with your book clubs?

We would love to hear from you with your answers to this question — if you are in a book club, approximately what percentage of members read the selections from:

A. a hardcover purchase

B. a paperback purchase

C. an e-copy

D. a library copy

E. a borrowed from a friend copy?

Thanks! Pass the word along to your reading friends.

What if book clubs only selected books by women authors? Now there’s an idea.


by Pam Parker, Community Forum Editor

Women write. Women read. Women buy books for book clubs by the thousands and sit together and discuss their choices. But apparently women writers face the same issues in writing as in nearly every other profession open to them: men dominate the field. The web has been swirling with comments about the disparity for months. Last summer when Jonathan Franzen’s FREEDOM received rave reviews, established female authors revolted. Many of them didn’t deny that FREEDOM was a fine book, but wondered why it was so rare for female authors to receive rave reviews. For example, read about Jodi Picoult’s comments.

In February, VIDA: Women in Literary Arts published The Count 2010. And, predictably and appropriately, The Count is being quoted and written about by many other literary publications and blogs. (See the Utne Reader, The New Republic and who knows how many blogs in the blogosphere.) VIDA’s study focused on authors and books reviewed in key literary publications leading to some lovely pie graphs which are reappearing web-wide showing the dreadfully small female slice of the pie. I will show you one of VIDA’s pies here:

Writing in The New Republic, Ruth Franklin’s article, “A Literary Glass Ceiling? Why magazines aren’t reviewing more female writers,” takes an indepth look at VIDA’s numbers and goes one disturbing, albeit important, step further:

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