Named after Mount Holyoke College founder Mary Lyon, The Lyon Review celebrates the finest creative writing from alumnae and faculty, and provides a supportive forum to discuss literature and the writing process. We know there are scores of talented women writers who haven’t yet been published but deserve to be, or have enjoyed publication, and perhaps have even won literary prizes or critical acclaim, but continue to find it difficult to gain a wider audience given the myriad changes and challenges the publishing industry increasingly faces. And there are plenty of newer writers, whether twenty-five or seventy-five , who are just starting to wrestle with their craft. The Lyon Review is dedicated to highlighting the work of the former and helping to inspire the latter.
Sandra Kohler’s third collection of poems, Improbable Music, (Word Press) appeared in May, 2011. Earlier collections are The Country of Women (Calyx, 1995) and The Ceremonies of Longing (University of Pittsburgh Press, 2003). Her poems have appeared in journals over the past 35 years. Born in New York City in 1940, Kohler attended public schools there, Mount Holyoke College (A.B., 1961) and Bryn Mawr College (A.M., 1966 and Ph.D., 1971). She’s taught literature and writing in venues ranging from elementary school to university. A resident of Pennsylvania for most of her adult life, she moved to Boston in 2007.
There’s a parrot named Felicity in
the novel I’m reading, so in a dream I give
my sister Midnight and Felicity: the black cat
she owned years ago, when her husband
was still alive, the scarlet parrot
she’d never dream of owning.
I don’t know if she dreams
about happiness now. Perhaps I’m
the sister who cannot imagine
owning Felicity. The bird of
happiness not blue but scarlet.
Real happiness is like that,
startling as a parrot’s
Life Interrupts Life
The porch at seven, still, the air barely astir.
There’s a new rose blooming: April Moon?
Hawkeye Belle? The belle, pale pink, ablush.
When this garden’s made, I will have a walled
garden, hortus conclusus. To wall is to end:
conclude. The pale sky billows, foamy cloud.
A cry that could be cat or bird. Life interrupts
life. A fat fly lands on the chair opposite mine.
Out here he’s in his element, legitimate; indoors
I’d kill him. I need to start imagining this yard
as walled garden. What time will we need to
leave for the airport? Life interrupts life ….
Decisions, hesitations, progress and regression,
arrivals and departure. Language carries me,
whether I will or no. I will. Yesterday at the
Neponset River reservation we watch swallows
bring food to a nest in the concrete overpass,
taking it in turns. Here, now, it’s my turn:
dribbling, bouncing a ball of thought, making
small moves, practice for the game. The game’s
afoot. How shall I play it? The possibilities
are not endless. Body, soul, day: tell me what
to do. No answer: the body’s ambivalent,
the soul ambiguous. The day is indifferent:
sunlight blooms a moment on my neighbor’s
garage wall, fades. The birds keep chanting.